Saturday, 6 February 2010

Book Review: Capitalist Realism: Is There No Alternative? by Mark Fisher

I've been an avid reader of Mark Fisher's blog K-Punk for over a year now and its cultural, philosophical and political writing is the sort I love. He pushes the mind into zones of thinking way above the tired nostrums of the mainstream and the dull backward looking left, both liberal and so called radical. This is his first book and it packs more original ideas in its 81 pages then a year's worth of issues of The Guardian newspaper or New Left Review. It deals with a subject that has frustrated and haunted me all my adult life-the seeming social, economic and cultural totality of late capitalism and the corresponding impossibility of offering any alternative to the system without hitting a brick wall of 'being practical' or 'realistic,' translated as 'there is no alternative to the market.' Mark Fisher calls this totality 'capitalist realism' and the book could not come at a better time, when neoliberalism has at its most basic, material level been shown conclusively not to be working. Into this philosophical analysis of total absorption by capital-for instance the subsumption of the protest ethic itself into the Live Aid phenomenon and various ethical and green life style choices (see Chapter 2:What if you held a protest and everyone came?)-he weaves his own personal experiences and many references from popular culture-the film Children of Men and Kurt Cobian, etc. But he exposes three cracks in the overwhelming ideological structure of capitalist realism, climate change of course, but also an increase of mental illness and depression in the more advanced neoliberal societies and paradoxically considering that new right thinking aimed to overthrow red tape and inefficiency, a proliferation of bureaucracy-auditating culture (he draws from his own workplace experiences of teaching in a further education college) and the Kafkaesque nightmare of the call-centre:

The call center experience distils the political phenomenology of late capitalism: the boredom and frustration punctuated by cheerily piped PR, the repeating of the same dreary details many times to different poorly trained and badly informed operatives, the building rage that must remain impotent because it can have no legitimate object, since-as is very quickly clear to the caller-there is no-one who knows, and no-one who could do anything even if they could. Anger can only be a matter of venting; it is aggression in a vacuum, directed at someone who is a fellow victim of the system but with whom there is no possibility of communality. Just as the anger has no proper object, it will have no effect. In this experience of a system that is unresponsive, impersonal, centerless, abstract and fragmentary, you are as close as you can be to confronting the artificial stupidity of Capital in itself.

The above paragraph is a brilliant example of the type of writing contained in Capitalist Realism; deeply intellectual but not abstract, giving concrete examples from everyday life and the popular culture of western societies. It's this that differentiates Mark Fisher from many writers of the left, who tend to look pityingly or voyeuristicly elsewhere (Palestine, South America) and bypass the 'mundane' and 'ordinary' frustrations and struggles of work and leisure, situated in the very society most of these worthy and sometimes moralistic writers come from. The only weakness of the book, if it is a weakness and not a valid description of the difficulties we face, is the impression that you get of a system so total that it enters your dreams, making it difficult to see any future post-capitalist world. But he ends with a brief account, again taking from his own experiences working in education, of new ways of struggle that might contest the new bureaucracy and a hoped for formation of a political subject (agent) that can revitalise the left and vice versa.

Friday, 15 January 2010

Book Review: Epiphany of the Long Sun: The Second Half of the Book of the Long Sun by Gene Wolfe

Epiphany of the Long Sun, an omnibus edition comprising Calde of the Long Sun and Exodus from the Long Sun, brings Gene Wolfe's meandering epic to a close. (see my review of the first two novels contained in Litany of the Long Sun, here) Maybe I shouldn't even attempt to review this book considering I've only read it once. Here lies a major problem I personally have with Gene Wolfe's work; to fully appreciate him as every reviewer points out you need to re-read his novels. I confess I'm a slow reader (Epiphany takes even longer to read then most books due to its trickiness) and the backlog of fiction and non-fiction waiting for me is immense; I do not have the time to re-read, only years afterwards when the memory of the book has faded. But this of course is my problem not Gene Wolfe's and Epiphany (and the whole series) is without any doubt brilliant literature disguised as generic science fiction. It has many characters , human, animal and mechanical, encompassing politicians, priests, nuns, robot soldiers and servants, spies, thieves and prostitutes, who are each vividly portrayed. The culture and religion, (which involves animal sacrifice to a pantheon of gods who are in fact computer persona), of an immense cylindrical synthetic planet called the Whorl, originally from Earth and now travelling through interstellar space, is also vibrantly detailed. The plot centred on a disillusioned priest and reluctant figurehead of the city state of Viron, Calde Silk, is complex, as political intrigue overlaps with civil war and insurrection. The last book, Exodus of the Long Sun ends as the title implies with escape from the Whorl for some of the characters, linking the plot with its major theme of a breakout from both a confining artificial environment and the falsities of a manufactured religion.

Overall The Book of the Long Sun is a slow, exhausting read. There is plenty of excitement but you have to be in tune with the author's cryptic style to get extra understanding. It sometimes lacks the imaginative richness and wide scope of Gene Wolfe's classic Book of the New Sun, the Whorl seems ordinary in comparison with his very alien Earth (Urth) of the very far future, but as the sequence progresses the more involved in it you become, lingering in your mind long after you have put the books down.

Postscript: The universe of the Long Sun books is I believe the same as The Book of the New Sun, but I am very unsure how they actually link up. If any reader of Underground Man knows any connections with the New Sun novels I would be very grateful.

For an in depth essay on The Book of the Long Sun, read Nick Gevers' article posted on Ultan's Library.

Wednesday, 6 January 2010

Book Review: Lost Girls by Alan Moore & Melinda Gebbie

Alan Moore, writer of the ground breaking graphic novels, Watchmen and From Hell, here turns his considerable talents to erotica or pornography produced as art. His partner in this endeavour is his wife, the equally talented Melinda Gebbie, who provides the beautiful but sexually explicit drawings. The titular lost girls are the adult versions of three characters from classic children's fiction-Dorothy (Wizard of Oz), Wendy (Peter Pan) and Alice (Alice in Wonderland and Through the Looking Glass.) They all meet by chance as guests at the exotic hotel Himmelgarten on the Austrian border, prior to the start of World War 1. Their meeting soon blossoms into a triangle of lust and friendship as they recount to each other their randy exploits-Alan Moore bases these on the plots of the original stories-while engaged in copious amounts of lesbian sex. This is marketed as classy erotica, but please don't think Lost Girls is softcore; it's very hardcore indeed, suffused with a genuine (porno)graphic explicitness and will be considered obscene by many.

But unlike boring formulaic porn made to make money, Lost Girls is something more then a cheap turn on. Melinda Gebbie's colourful, fantastical but also realistic art is based on many different types of late Victorian and Edwardian styles, complimenting its Fin-de- Siecle decadent feel. Alan Moore's writing is wonderfully overripe, the story and the stories within a story engrossing and most importantly it's more then about sex as a mere bodily function to be gawped at for visceral thrills (although there is a lot of that too!) It deals with the lose of innocence of the three 'lost girls'; combining a subtle feminist critique of male values with a literal 'make love not war' message; nor does it shy away from difficult subject matter such as child abuse. It's overriding theme though is the power and ecstasy of the sexual imagination which does not always relate to reality-what gets you going inside your head might not do the same if acted out in real life. As one character says: "Fiction and fact: Only madmen and magistrates cannot discriminate between them."

Thursday, 24 December 2009

Book Review: The Goldilocks Enigma: Why Is The Universe Just Right For Life by Paul Davies

A book that took me out of the everyday claustrophobic routines and worries of life and shoot me into the infinite realm of the multiverse. A book to help you contemplate eternity; a life changing, even spiritual book. Yes I'm not exaggerating-it's that good. Paul Davies, popular science writer and physicist tackles the biggest question of them all. As it says on the tin, why is the universe just right for life? It seems that the laws of physics are 'fixed' at a minute level to allow for the existence of biology. 'If almost any of the basic features of the universe, from the properties of atoms to the distribution of the galaxies, were different, life would very probably be impossible.' From this underlining mystery of 'how come existence' or the Goldilocks Enigma, Paul Davies goes on to describe the scientific theories that have attempted to get a grip on it-he rejects religious explanations-God designed the universe-as a non-answer, but clearly explains why this is so and takes the more sophisticated theologians seriously. Along the way we also get a clearer picture of the latest ideas in cosmology and particle physics.

After we have had our heads caved in by some very complicated theories about the origins of the universe, it's structure and its future (quantum cosmology, string theory, eternal inflation, etc) we have some answers to the Goldilocks Enigma set out for us. The most disorientating is that we live in a pocket or bubble universe which is only one amongst an infinite collection of pocket universes-the multiverse. This is why although the odds are completely against it we find ourselves in a universe with all the right parameters for life. There are an infinite amount of universes' without these conditions but of course we self-evidently find ourselves in a universe that does support life-in other words we are winners of a cosmic lottery. The philosophical implications of a multiverse are also analysed by Paul Davies; do we live in a fake universe, a computer simulation for instance? Or 'could it be that everything exists!'

But the author supports another theory which is finally revealed at the end of the book. It's beautifully optimistic, a positive and life-enhancing idea closer to philosophy then strict science, but still based on a scientific world view-an observer, participatory universe involving an evolution of information processing (a scientific definition of mind, that does not exclude emotion, feeling and creativity) to a limitless extent in the far, far future and loops in time. Here Humanity, Mind and Consciousness are central, bringing the universe in which we live into existence.